If we examine the recent trends in historical dramas dominating both theaters and television screens, we can see that fusion historical dramas, which boldly overlay modern sensibilities and imagination, are more mainstream than authentic historical dramas. The "faction" genre, which intricately blends historical fact with fiction, is overflowing. Sometimes, works that merely borrow the historical setting while the characters' speech and behavior remain no different from modern dramas pour out, dodging controversies over historical distortion. Amidst this flow, the movie The Man Who Lives with the King is a very exceptional and welcome work in that it stimulates the tear ducts of the audience by dealing with the power of heavy authentic history and humanism without the box office guarantee of romance. Instead of flashy spectacles or stimulating settings, it genuinely captures the tragedy of individuals swept up in the vortex of history and the stories of ordinary people pr...