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Kwon Sang-woo's Lack of Confidence Avoiding the Holiday Rush? Or a Niche Strategy? Review of 'Heartman' Returning with Romance

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The Meeting of a Cold Ice Princess and a Hot-Blooded Country Bumpkin, Ahn Bo-hyun X Lee Joo-bin's Healing Romance 'Spring Fever'

The Arrival of a Fresh Rom-Com to Cure the Monday Blues, tvN's Spring Breeze tvN has introduced a new romantic comedy, Spring Fever, to cure our "Monday sickness" and "Tuesday sickness." Just like the heat of a spring day felt in the title, this drama started with warm and cheerful energy that tickles the hearts of viewers. In a drama market currently flooded with heavy and dark genres, many viewers are welcoming the appearance of a "pure healing romance" that can be watched with a relaxed smile after a long time. It made a great start with a first broadcast rating of 4.8%, which proves that the charm of the drama itself appealed to viewers from the beginning, beyond just the halo effect of its predecessor. Expectations are gathering on whether this spring breeze can turn into a typhoon-class popularity. Lee Joo-bin, Standing Tall as an Undisputed 'One-Top Female Lead' from Eternal Prospect The most valueable change in this drama is undoubtedly...

A Chaotic Romance Between a Prince and a Righteous Bandit with Swapped Souls! KBS's Ambitious New Series 'Dear Mr. Bandit'

The Disappearance of Traditional Historical Dramas, 'Fusion Faction Sageuk' Fills the Void of Imagination KBS has opened fire with its ambitious new drama Dear Mr. Bandit to target the weekend home theater audience. It is not an exaggeration to say that we are currently in the golden age of "Fusion Sageuk" (Fusion Historical Drama). Heavy, traditional historical dramas that strictly adhered to historical verification, once represented by "Daeha Dramas," have now become a rare genre that is hard to find. Filling that void are "Faction" (Fact + Fiction) or fusion historical dramas that overlay the writer's infinite imagination onto a single line of historical record. This trend is the result of the convergence of creators' needs to be free from strict standards of historical accuracy and the viewers' preference for light, trendy stories over heavy, rigid history. Dear Mr. Bandit also rides this current, boldly mixing fantasy and romance a...

Returning 10 Years from the Brink of Death, 'Judge Lee Han-young' Jumps Out of Court to Judge Great Evil

The Relief Pitcher for MBC's Friday-Saturday Drama Arrives, The Return of Trusted Actor Ji Sung A powerful relief pitcher has finally taken the mound for the MBC Friday-Saturday drama lineup, which has been in a slump for a long time. The protagonist is Judge Lee Han-young, starring Ji Sung, an actor who instills trust in viewers just by his name. Ji Sung is a "ratings guarantee check" who has proven both outstanding acting skills and box office success in every work he appears in, such as Kill Me, Heal Me, Defendant, and The Devil Judge. In particular, expectations for this comeback are hotter than ever, as he received praise for perfectly digesting the unconventional setting of a drug-addicted detective in his previous work, Connection. Attention is focused on whether he can restore MBC's crumpled pride this time and retake the throne of the Friday-Saturday home theater. Go Away Cliché Legal Dramas, A Hybrid Genre Combining 'Regression' and 'Revenge'...

A Present Turned Black and White, A Past in Technicolor: Moon Ga-young's Rediscovery Shines in 'If We Were'

Return of the Masterpiece that Moved the Continent, Reborn with Korean Sentiment The recently released film If We Were is a remake of the romance film Us and Them, which swept the Chinese box office. The original work was more than just a love story between a man and a woman; it achieved tremendous success by dealing with the cross-section of Chinese society during its rapid economic growth and the joys and sorrows of youth drifting within it. As it is already considered a "life melodrama" by domestic fans through Netflix, the news of the Korean remake brought both expectations and concerns simultaneously. The biggest key was how to melt the unique sentiment and vast narrative of the original into a running time of about two hours, and specifically, how to adapt it to the Korean situation. As a result, If We Were made the smart choice of taking the framework of the original but bringing out the delicate texture unique to Korean cinema. Removing the Macro-Discourse of the Era,...